Many have asked how I come up with the ideas for my pieces so here goes.
First, I should make a few things clear. There are NO absolutely unique creative ideas. We all stand on the shoulders of those who came before us. Secondly, I am very fortunate to be married to an extremely talented mixed media artist. That helps in many ways, one of which is that she has squirreled away one of EVERYTHING so I have a vast array of materials at my disposal.
I'll explain my process by going through the development of my latest effort which started when I saw a piece of Vickie's jewelry- a pewter pendant from Denmark.
I loved the fact that it was so mobile but there were a few problems. I wanted to make it in copper, which is lighter in the thickness I use. I also didn't know how I was going to duplicate the patterning without a mold. The first effort lacked any real eye appeal
but as is often the case, over coffee one morning, the REAL artist offered a solution to both problems. First, she suggested using a double plate- the back being new, flat copper plate and the front being my beat up reclaimed copper
She then offered to beat the daylights out of it to create an interesting texture. This actually solved another problem because it got a lot of pent up aggression out of her system that might otherwise have been directed at me at some point! So after I cut and filed and sanded the edges, she used several different hammers on the raw unsanded surface to create some amazing texture which I then highlighted by burnishing the "tips".
The next question was what to hang on the end of the paddles I had fabricated. Here I have to interject another fact. Remember when I said that Vickie has one of EVERYTHING? Well, that includes beads! I love the fabrication process but readily admit I do NOT have the Artist's Eye. Fortunately, she does- in spades. So after much coaxing and a promise to cut open a lot of the rock she has amassed, she agreed to choose material from her endless "stash". As usual, her choice was awesome.
She selected beautiful agate balls that she funky wrapped onto the paddles. I then finished it off by hanging it on a beautiful leather cord and using a beautiful clasp technique which the REAL artist taught to me.
So by now you should know that I am a fabricator with the good fortune of being married to a true designer. Sure, every once in a while I have an idea on my own. Here's one.
But even here I tend to be more "functional". The micro bolt at the top is not really a design element but needed to keep the stone in place.
So there you have it. My ideas start with some amazing materials including local stone, beads and metal plate. I have an idea of something I'd like to create. The REAL artist then tells me what I REALLY want to create and I then use the skill set she has taught me to do the fabrication.
Thank you to those of you who have offered so much encouragement. We will be reopening the shop this summer and hope that, at some point, you can visit. But until then, you can see our efforts at our on line venture- the Seawall Emporium (www.seawallemporium.com ). I'm in The Lap of Lapidary while the REAL artist shows her work at Seawall Art.
Stay safe and sane. Hope to see you soon!